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About Us
Background
We have over 20 years experience in innovative marketing, branding, and design.
Our work for clients includes Bacardi, Universal Studios, Audi, and Bell Sympatico. We have been Featured in Direct Magazine, Package Design Magazine China, the Design Management Review, and the Summit Awards. We have international recognition for our branding and marketing work in developing countries, and are recognized thought leaders on the Innovation Exchange. We are members of ARGDO, CESO, and the Design Management Institute.
Innovation Outside of Packaging Design
Although packaging design is one of our core offerings, we are also active in other areas of customer feedback and business success.
We have created Interview Coach, a profitable email marketing system that increases revenue potential for publishers by over 400%. We have developed the Market Feedback System, which uses consumer emotional and literal feedback to build features and benefits into the products and services that are sold to them. As well, we market the Digital Footprint, which is a way for organisations to measure, monitor, and interact with social media.
And be sure to visit our blog about SR&ED.
Intern Placements
Every year we have students from France intern with us. They are involved in marketing and research for both national and international markets.
2010 - Alexandre Adjevi-Neglokpe, Honore De Balzac, Paris
2009 - Rose Saint-Cyr, Ecole Nationale de Commerce, Paris
2008 - Anissa Ghrib, Honoré de Balzac, Paris
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©Copyright 2009 Big City Graphics, Inc. a Product Packaging Design Agency

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The five second
package design rule

The average shopper only spends 5-7 seconds scanning a label on the shelf on any given day. So no matter how much copy you have put on the package, it probably won't be read. more>
The meaning of color - it’s not what you think

The idea that colors have intrinsic and timeless ‘meanings’ is mistaken. Advanced research in the domain of product marketing indicates that shoppers do not identify particular colors with particular abstract concepts (e.g. the color red with the concepts ‘hot’ or ‘fire’). Rather, the ‘meaning’ of particular colors hinges entirely on the context in which the colors are being used. more>
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